Kayo Dot, “Blue Lambency Downward”
You guys, this was such a bad album. It started out with Pookie being all excited we drew it, because she’d listened to some other Kayo Dot on Spotify and really liked it, and was all, “They’re really good!” Then we put the CD in the player, got the speakers fired up, and… oof. The first track was what seemed like an hour of the world’s most pretentious college acapella group (but the people who didn’t make the college’s actual acapella group, and had to start their own off-brand one) doing experimental theater. Then the second track seemed like the world’s most pretentious college theater students (but the people who didn’t make it into the college’s actual plays, and had to stage their own in their dorm’s common room) doing experimental dance. We didn’t hear the third track because Schnookie was laughing too hard and Pookie zapped over it. The fourth track was more of the same — a little “nonny-nonny,” a little ridiculous-poetry lyrics, a lot of WTF??? music. Who even knows what it was like after that, because we threw in the towel. We staged our photo of it under a heap of cat toys, hoping maybe Fabi could get more use out of it than we will.
But all was not lost, music-wise, last week. Because lo! Our earholes were tickled mightily by the long-awaited release of Tomahawk’s Oddfellows. We had despaired when the first single was released several months ago, because “Stone Letter” is not the most compelling song we’ve ever heard Mike Patton sing on. (That’s a polite way of putting it. “Stone Letter” sounds, out of context of the album, like lousy ’90s rock. In the context of the album it’s a lot more ignorable, and in fact even comes off as catchy and fun.) Far more indicative tracks are “Waratorium”:
and “Baby Let’s Play”:
Oh, sweet, sweet Tomahawk. Thank you so much for rescuing us from the evil clutches of Kayo Dot.